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Make Up Techniques For Black Women
- (black woman) a woman who is Black
- The term black people usually refers to a racial group of humans with skin colors that range from light brown to nearly black. According to a recent scientific study, human skin color diversity is highest in sub-Saharan African populations.
- A skillful or efficient way of doing or achieving something
- (technique) proficiency: skillfulness in the command of fundamentals deriving from practice and familiarity; "practice greatly improves proficiency"
- A way of carrying out a particular task, esp. the execution or performance of an artistic work or a scientific procedure
- Skill or ability in a particular field
- (technique) a practical method or art applied to some particular task
- The gameplay of the Pokemon series of role-playing video games involves the capture and training of a variety of fictional creatures called "Pokemon" and using them to battle other trainers.
- The combination of qualities that form a person's temperament
- makeup: an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"
- The composition or constitution of something
- constitute: form or compose; "This money is my only income"; "The stone wall was the backdrop for the performance"; "These constitute my entire belonging"; "The children made up the chorus"; "This sum represents my entire income for a year"; "These few men comprise his entire army"
- constitution: the way in which someone or something is composed
- Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance
Professional Makeup Techniques for Black Women
Melvone Farrell, a professional Hollywood makeup artist, shows you techniques and tips for applying makeup on women of African heritage, showing the latest looks being sought by clients. Melvone who has international media and film experience spanning 20 years demonstrates how to provide natural day, sophisticated evening, and glamorous makeup on three different models. She instructs step-by-step how to prep a client's face with moisturizer, foundation, and concealer and apply makeup to the brows, eyelids, eyelashes, cheeks, and lips to achieve looks from the natural to the dramatic. She also shows how to create the perfect eyebrow, bleach brows, shade and highlight to contour the face, play with color, apply eyelash strips, and work with issues unique to the models. She also discusses how to maintain your brushes and supplies. You too will be able to provide meticulous results that are camera-ready. (1 Hr. 34 Mins.)
By the Seaview Weavers Guild from Belevue, WA USA
By the Seaview Weavers Guild from Belevue, WA USA
Participants: Patty Leinweber, Astrid Bear, Christine Stewart, Sally Zitzer, Valerie Day, Gleuda Guinn-Gilles, Mona T. Smiley-Fairbanks
Name of Panel: "Dream of Women - Dreams for Women"
Dream Theme: Community
Materials and Techniques Used: photo transfer, applique, rug hooking, quilting, painting, embroidery, silk, polyester, wool, salvaged upholstry fabric, interior of my father's 1950's suits, fabric paint, images from the internet.
What are the stories behind your panel?
Mona T. Smiley-Fairbanks (Top left corner / dove on upholstery fabric)
"I am given bolt ends of fabric from an upscale upholstery business and use the fabric for various projects. My inspiration was simplified to "Peace" - Peace of mind, Peace in our back yards, Peace in our land, Peace in our Universe. I used the interior of one of my deceased father's 1950's suits for the bird. He died in 2005 but inspires me every day to be the best I can be."
Sally Zitzer - (Top - Lavender Equality for Women)
"I did well in math in high school and majored in math at the UW, graduating in 1963. Back then math was a "man's field". And engineering was even more strongly a "man's field". My first job was at Boeing, at a time when they were hiring lots of young people to do computer programming. So I was lucky and did not have a hard time finding my first job. But I was aware of the prejudice towards women in math and science. Also back then when a young women got married and had a baby she quit work and stayed home from then on, no career. Men's attitudes were pretty much that they were "the boss". I resented all those attitudes towards women making second-class citizens. Things are a whole lot better for women in the US now but there still is not total equality for women in the US. And it is so much worse for women in some other countries like Afghanistan.
I remember once when I worked at Boeing that the secretary got sick. So one of the managers went around each day and asked one of the women to sit at the secretary's desk and be a secretary for the day. The second time he came around to me (I had done it once) I protested and asked why he didn't ask a MAN to be secretary for the day. Surprisingly, he did! After that a few my male co-workers sat in as secretary for the day(We were all doing the same kind of work -- computer programming.) So I have wanted Equality for Women for a very long time."
Christine Stewart - (Left Center - Black & White, Grandmother's Photo)
"This is a tribute to my Grandmother who wanted to be an author. She wrote and wrote all her life but never published. (The background is a piece of her handwriting) When she was in her 80's the space program begun. She was enthralled. She read everything that was published. She was the most knowledgeable person around. So this is about her dreams - can you imagine how thrilled she would have been to know a part of her was on a rocket???"
Astrid Bear - (Center - Peace, Love, and Dinner for ALL)
"A I sketched my ideas for my portion of our group panel, I was drawing turkeys, fruit, wine, etc. but I felt they were too complicated to be done in a simple graphic way. The idea of a bowl of soup said it all, and the more I worked with it and thought about it, the better it was. To make soup you must have a cooking pot, water, food, fuel, and the time to let it simmer. With these essentials, a bounty can be brought forth to share. Even the thinnest broth can warm the soul, while a hearty pottage can nourish and give strength for a day's hard work. In my design, the rising steam forms a loving heart and also a dove of peace. With those things as a base, all dreams are possible."
Valerie Day (Right side Center - Lace, Multi-colored background, harp/organ)
"My grandmother should have been a concert pianist, but because of when she was born, it was not possible. She played in church for years. I love to play the harp and occasionally play in church. Our souls "sing" for joy when playing music, and may there be more joy in the world."
Patty Leinweber (Lower left - eye)
"The eye made of eyes represents my desire that women be able to see each other's lives and choices through the lens of another's point of view. The photos are of women who I know: Sister, nieces, great niece, choir members and church family; all girls and women who influence my own life. My wish for women is to give and receive respect."
Glenda Guinn-Gilles (Artist - Lower Right, Lotus flower)
"The lotus flower appears in my section of the Seaview Weaver's Guild block. In Eastern traditions, the open lotus is symbolic of purity and compassion. In Buddhist tradition it symbolizes self-creation. My dream as represented by the lotus flower is for all people to develop a pure compassion for one another. May we use the knowledge of this compassio
Savage, Steven E., Smoke N Mirrors, Sandy Hook, NJ, 2008
PLEASE LOOK CLOSELY BEFORE COMMENTING!
This is a lucky capture, not a manipulation or cut-and-paste. The woman in the car ahead of me was smoking and as she put her hand out of her window, I noted that the cigarette lined up almost perfectly with her mirrored image's mouth. I took the picture.
Guys, I'm just doing a bit of anecdotal research to determine whether we are really looking at each others' work to the degree that this community requires. Almost no one has picked up what is obvious to them all once I have explained it. The issue isn't that they missed a subtle point in my work. That's my problem, I guess. My issue is this: Several people who have commented on my work and missed that point responded to the effect of "Oh sorry. I didn't really look that well."
Are you kidding me? How on earth can we evaluate our peers and their work if we do not look at their work? Photography is a visual medium (which should go without saying, but won't); those who cannot see it cannot appreciate it. Those who can see it, must look carefully to properly evaluate it.
I have reconciled myself to the fact that being a (mostly) black and white photographic artist is a lonely existence in 2008. People respond to color. People respond to HDR tricks and other multiple exposure and editing tricks. Only a handful truly appreciates well done black and white for its own sake. I get that. What I don't get is that, rather than at least trying to be good members of this community and to give substantial, technical evaluations of even those works they don't immediately appreciate, most people seem to breeze past these works with a ridiculously low score and leave it at that. Those who bother to add a comment to their low score are ambiguous and unhelpful. One guy actually said to my latest posted work: "It doesn't move me, sorry". What the hell does that have to do with anything? Just because it doesn't move you, does that mean that you have no obligation, as a member of this voluntary community, to appraise the skill and technique employed by the artist, to state in concrete terms what aspects leave you wanting, and to respect that the artist cares at least as much about his/her work as the viewer cares about his/her own?
This is absolutely NOT me complaining because I do not like some of the scores I have received or comments that have been posted. I don't, but I am an adult and can take the good with the bad. But when the comments and scores are handled in a slipshod way, as if the commenter's work is more worthy of everyone's time than mine is (because he doesn't like my work), then that makes me mad. Am I alone?
make up techniques for black women
"The Clitoris has the highest concentration of nerve endings in the body." As this opening graphic fades, a woman from the Welcomed Consensus enters the bedroom and soon will take you with her to share her intimate experience of masturbation. She gradually will build and extend her orgasm making it possible for the viewer to feel it too. This DVD is highly informational for both men and women as it shows a simple, uncut film of a woman from a low state of arousal to a heightened, extended orgasm with many close-up shots of her genitalia. Filmed in one take, it accurately represents continuous female orgasm. The viewer can witness all of the signs of orgasm in her body, as well as the details of her technique that anyone can use to better their sex lives with their partner. A remarkable film taking female masturbation to a new level of enjoyment.
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